G. B. Lamperti
During my singing education I have heard of so many singing methods and schools – Italian, German, Russian, Swedish … – very confusing! With advice like “sing lighter!”, “more support!”… I couldn’t make sense of it all. I know the feeling of a tight throat, hoarseness after singing, the intonation problems, etc. very well. Throughout my entire time studying I never received clear advice about how I am supposed to breathe, how to sing legato, what the right feeling in the passaggio is supposed to be, how the support and the correct posture of the body feels. My mind was collecting a lot of information but my body could not implement it. The great enthusiasm and joy for singing I had in the beginning of my studies was slowly reduced bit for bit as time went on. In the beginning of their studies young singers hardly know anything about singing and they cannot differentiate between a healthy technique and an unhealthy one.
My desire to sing freely and light-hearted, my intuition, the vocal studies and long years of private lessons with many vocal coaches, numerous encounters and cooperation with many fantastic and renowned singers, and my stage experience and parallel teaching activities for 20 years allowed me to build a solid and healthy singing technique and, at the same time, to reach a professional and stable singing foundation. Of great importance to me was the deepening into the topic of the old Italian school of bel canto by G. B. Lamperti, the detailed understanding of the concepts of his teaching (“Vocal Wisdom”) as well as a diagnostic listening to plenty of recordings and performances.
It is an important priority and a great joy for me to pass my experience on to other singers and to guide them to the maturity of their own natural voice and personal growth. Each singer has a distinctive singer’s personality and therefore each one has a distinctive and unique vocal sound. Every “singer’s soul” has its own story, specific problems and exceptional qualities that distinguish each one. I see my task to deliver the singer the adequate tools so that, according to Lamberti’s old Italian school, the heart, mind and body can be brought together in harmony.
It is my desire in my singing lessons to create an atmosphere in which they can devote themselves to the further development of their voice and performing abilities.
Galileo Galilei
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how to determine your natural voice type (Soprano/Mezzo/ Tenor/Baritone/Bass)? |
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how to extend your vocal range? |
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how to build a reliable and healthy singing technique? |
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how to prepare for examinations and auditions? |
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how to increase resilience and condition? |
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how to experience and develop your distinctive vocal color? |
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how to determine your fach (light/full lyric, coloratura, spinto, dramatic, ...)? |
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how to build a career? |
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how to unleash your entire singing potential? |
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how to improve your singing instrument? |
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how to gain more self-confidence to master the repertoire of your dreams? |
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how to protect your voice from wear and tear? |
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how to deal better with the job requirements? |
In a private and trusting environment:
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we discuss your questions, desires and development potential in singing |
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you learn not only to understand the singing technique but to sense and implement it as well (e.g. deep breathing, body posture, open throat, passaggio, legato, support, language ...) |
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we discuss wide-ranging strategies for developing your career |
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we open up a new repertoire |
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a professional, individual vocal color, which makes you unique as a singer |
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pleasure in the fullness and healthy sound of your singing |
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self-confidence in dealing with singing challenges |
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professional tutoring of voice growth and vocal changes (e.g. change of voice type) |
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a holistic reinforcement of your singing personality, which opens up new prospects in work and life |